The date for 9 SONGS
to go before the Review Board has been set for January 17th.
******
A recent example of an X18+ being dropped to R18+ on
appeal is the short film
SHADOW THEATRE. The full Review
Board report is now available.
******
A revised version of THE PUNISHER
has now been rated MA15+. These are no details of what has been
removed to secure this rating.
******
Those of you who missed ANATOMY
OF HELL during its theatrical run can now catch up with it at home.
Madman Entertainment released a rental DVD on December 22nd.
******
Three more previously banned Hardcore titles have been cut
and passed X18+. These are ALL ABOUT SEX, TEENAGE
SPERMAHOLICS #2 and UP'R CLASS.
Another new title to add to the database is ANAL SEDUCTION #1.
It was rated RC in December.
******
The Australian Communications Authority has launched an
enquiry into what type of content should be allowed on mobile
phones. The deadline for submissions is February 25th
2005.
The following media release was issued by the ACA on
December 16th.
ACA proposes rules for adult
content on mobile phones
The Australian Communications
Authority (ACA) today called for public feedback on proposed new rules to
protect consumers, especially children, accessing new premium services on
their mobile phones.
Releasing a discussion paper
with the new rules today, Acting Chairman Dr Bob Horton said the ACA was
focussing on issues raised by premium services accessed through SMS, MMS,
and mobile carrier portals.
Mobile premium services provide
content such as sports scores, streaming of audio and video music clips
and sports highlights, as well as downloads of mobile ring tones,
wallpaper, games and applications.
“Our intention is to promote
a sustainable and responsible market for premium services accessed by
mobiles,” Dr Horton said.
“The proposed new rules
address community expectations about preventing explicit adult content
being accessed on mobile phones and restricting access to other adult
content to people who are 18 and over.
“If inappropriate material is
found to be accessible through mobile phones, the rules give the ACA the
ability to have it removed quickly,” he said.
“The rules are also about
providing safeguards for children using chat rooms through their mobile
phones. For example, the rules specify that chat rooms must be monitored
to protect children from behaviour such as paedophile grooming.”
Dr Horton said it was vitally
important to ensure a safe environment for the use of mobile phones. This
was a precondition if consumers were to get full value from premium
services.
“The ACA is looking for
comment on whether the proposed rules, such as monitoring of chat rooms,
will be effective and workable both for consumers and phone companies in
creating this safe environment,” he said.
“The new rules will also
require phone companies to establish proper arrangements for handling
complaints about mobile premium services,” he said. “Consumers will
have to be informed about the costs of mobile premium services and how
they can unsubscribe to services they no longer want.”
The proposed rules and
discussion paper are on the ACA website. The deadline for comments is 25
February 2005.
“This is a completely new
area of regulation and the ACA is very keen to have as much feedback as
possible on the proposed new rules,” Dr Horton concluded.
Public meetings to discuss
issues raised in the paper will be held in Sydney, Melbourne and Canberra
in February 2005. Full details will be publicised and available on the ACA
website.
The Australian Communications
Authority is a government regulator of telecommunications and
radiocommunications.
You can find out how to make a submission at the ACA website.
Porn
on mobiles to face tight regulation. SMH 15.12.04
Users of mobile phones will soon be able
to dial 195-PORN.
But tough rules aimed at protecting
children from adult services, expected to range from blue video to sex
text, will require potential users to first show photograph
identification and request access in writing.
A draft regulation on adult and premium
services, released yesterday by the Australian Communications Authority,
bans content which has been rated X or Refused Classification by the
film and video censor.
MA or R content will be limited to phone
numbers prefixed 195 and 196, and available only to users aged over 18.
******
Some advice from the OFLC to families this summer.
22nd December 2004
Media Release
Know more about your
entertainment this summer
Along with trips to the
beach, summer holidays are the time for visits to the movies and lazy
days and nights spent watching DVDs
and videos. The OFLC wants to remind parents and carers that the
classification symbols and consumer
advice featured on films, DVDs and videos are designed to provide
information about their content and help
them make decisions for the young people in their care.
Director of the OFLC, Des
Clark said, “Trailers and reviews can tell us a lot about the films
our children and teenagers want to
watch, but classification information – the symbol and the consumer
advice - is specifically designed to
inform about the level and strength of their content.”
It is important that parents
and carers are aware of the meaning conveyed by G, PG, M
and MA15+.
There is a popular
misconception that G and PG indicate children’s movies.
In reality, G means the content of a film
is such that it is suitable for all audiences. There are many G films
at the local video shop that would not be interesting
to children and teenagers.
PG means
that parental guidance is recommended for children and young teenagers
when they are viewing these films. The
consumer advice allocated to each film highlights the elements that make
it PG rather than G.
This summer, a number of
films targeted at children and older audiences are classified PG. The
Incredibles carries the consumer
advice, “medium level violence, mature themes”. Lemony
Snicket’s A Series of Unfortunate Events carries
“mature themes, some scenes may frighten young children”. Whereas
the more adult-skewed film, The Phantom of the Opera has
consumer advice, “medium level violence” and the big screen wildlife
documentary spectacular, Deep Blue,
has “predatory animal violence”. The consumer advice in each case
identifies content that may require
guidance for youngsters.
The M classification
means the film is recommended for mature audiences aged 15 years and
older. The horror film The Grudge is
classified M with consumer advice, “horror theme”, and the
action film Ocean’s Twelve is M with the consumer advice, “low level coarse
language”.
G,
PG and M are advisory classifications. There is no legal
restriction imposed by them.
MA15+ is
a restricted classification. It means that the film is legally
restricted to people aged 15 and over. At cinemas,
this means children and teenagers aged under 15 can only be admitted if
accompanied by a parent or adult guardian.
MA15+ videos and DVDs cannot be sold or hired to under 15s.
Films classified MA15+ this
summer include the action vampire film Blade: Trinity which
carries the consumer advice, “medium
level violence, medium level coarse language”, and the black comedy Bad
Santa with consumer advice “frequent
coarse language, sexual references“.
“In today’s multi-media
entertainment world, where children and young people are increasingly
influenced by saturation marketing
campaigns, the OFLC recognises the challenges parents face in making
informed choices about their family’s
entertainment”, observed, Des Clark. “The classifications and
consumer advice allocated to a film
are intended to give assistance in this regard.”
******
The full
Review Board report has now been released for COLLATERAL.
The distributor's request to have the rating lowered from MA15+ to M was
rejected.
6 October 2004
23-33 MARY STREET
SURRY HILLS, NSW
MEMBERS:
Ms Maureen Shelley (Convenor)
Dr Robin Harvey
Mr Robert Shilkin
APPLICANT:
United International Pictures Pty (UIP) represented by Mr Michael
Selwyn, Managing Director.
BUSINESS: To
review the Classification Board’s decision to classify the film
Collateral (the film) MA15+ with the consumer advice ‘Medium
level violence’.
DECISION AND REASONS FOR
DECISION
1. Decision
The Classification Review
Board (the Review Board) classified the film MA15+ with the
consumer advice ‘Strong violence’.
2. Legislative provisions
The Classification
(Publications, Film and Computer Games) Act 1995 (the Act) governs
the classification of films and the review of classification decisions.
Section 9 of the Act provides that
films are to be classified in accordance with the National Classification
Code (the Code) and the classification guidelines.
Three essential principles
underlie the use of the 2003 Guidelines for the Classification
of Films and Computer Games (the Guidelines), determined under s.12
of the Act:
• The importance of context
• Assessing impact
• Six classifiable elements
– themes, violence, sex, language, drug use and nudity.
3. Procedure
The Review Board met on
October 6, 2004 in response to the receipt of a valid application
from the applicant UIP. After viewing the film, receiving a written
submission from Ms Liz Drew, print control
manager, on behalf of UIP and written and
oral submissions from Mr Michael Selwyn, Managing Director, on behalf of
the applicant, the Review Board met in
camera to consider its decision.
4. Evidence and other
material taken into account
In reaching its decision the
Review Board had regard to the following:
(i) UIP’s application for
review;
(ii) UIP’s written and oral
submissions;
(iii) The film;
(iv) The relevant provisions
in the Act;
(v) The relevant provisions
in the Code, as amended in accordance with s.6 of the
Act
(vi) The Classification Board’s
report; and
(vii) The Guidelines for
the Classification of Films and Computer Games 2003.
5 Synopsis
Max, a taxi driver (Jamie
Foxx), is taken hostage by Vincent, a contract killer (Tom Cruise).
The killer uses Max to drive to each murder scene. Max has to develop
his own personal strengths to save
himself and Vincent’s final victim, an attorney whom Max
has met earlier and to whom he is attracted.
The first murder goes “wrong”
when Vincent tosses the body out the window and it lands
on Max’s car. From then on, Max is embroiled in increasing scenes of
violence with it appearing likely that
he will not live out the night, as Vincent performs each “kill”
“taking out” key witnesses in an upcoming drugs trial.
6 Findings on material
questions of fact
The Review Board found that
the film contains aspects or scenes particularly worthy of
mention under various classifiable elements:
(a) Themes – At
approximately 57 minutes Vincent tells Max that his father used to
get drunk and beat up his mother and him and,
as a result of one beating, he killed his father.
Vincent states that he was 12 when this happened. Seeing Max’s horror
at the story Vincent says that he was
“just kidding” and that his father died of liver disease.
The scene has moderate impact
and is justified in the context of the story line of the film.
Throughout the film, is the
theme of death and killing as a means of earning a living. Vincent
attempts to justify his “work” as “just a job” and that those
that he is killing are “villains”.
However, this thesis doesn’t hold for his last intended victim – the
attorney Annie (Jada Pinkett-Smith), nor for
the FBI agents that are killed or wounded.
The theme is of strong impact but its treatment was such that it did not
warrant consumer advice.
(b) Violence – Given
the storyline it is to be expected that the film contains violence.
However, it is the treatment of the violence
that determines classification.
The film contained several
scenes of strong violence – including the night club scene at
approximately 82 minutes where an FBI agent is shown with blood coming
from his knee, where Vincent knifes
another agent, where Vincent shoots several agents and
security guards and where Max is shot at. Further, at 101 minutes a
security guard is shown on the floor
lying with blood pooling around him and then at 104 minutes Max
shoots Vincent and there is blood spray from Vincent’s ear, there is
an exchange of gun shots. At 110
minutes Vincent asks “If I die do you think anyone will notice?”
and he then dies on the train.
Apart from these individual
scenes there are several other scenes of violence (approximately
11 minutes where the first body falls on the cab, blood is shown on its
face; at 38 minutes another shooting with
accompanying blood spatter; at approximately
45 minutes another “kill” where Vincent shoots his victim in his
“traditional” three-shot pattern – two
to the head and one to the heart with accompanying
blood spatter; at 46 minutes Vincent grabs Max by the throat; at approximately
55 minutes a mortuary assistant is showing a detective one of the
bodies with Vincent’s “kill pattern”,
the body is covered in blood; at approximately 60
minutes Vincent threatens to execute Max’s mother who is in hospital;
at approximately 81 minutes Vincent
“knee caps” security guards and takes one hostage; at
91 minutes the taxi crashes with some injury sustained by the occupants;
at 92 minutes Vincent starts hitting
Max through the back window; at approximately 93 minutes
a police officer sees the body of the first “kill” in the boot of
the cab and arrests Max at gun point).
While these scenes are mostly of moderate impact the cumulative
impact of them coupled with the specific scenes outlined above ensure
that the overall impact of the film is
strong.
(c) Language – the
language used in the film has moderate to strong impact. Instances
such as “son of a bitch”, “bullshit”, “shit happens”, “fuck
off” or “get in the fuckin’ car”
or “give me your fuckin’ wallet” were relatively frequent but not
considered to be overly aggressive. At
approximately 43 minutes is an instance of strong,
aggressive coarse language (“Get the motherfucker off my face”) and
at approximately 98 minutes there is
another (“shoot my ass in and go fuck yourself”). However,
given the context of the film and the likely audience it was not
considered that the overall impact of
the language used was more than moderate.
The elements of sex and
nudity were not present and the treatment of the element relating
to drugs was so minor as to be only of a mild impact (some implicit drug
use in the night club scene at
approximately 82 minutes).
7 Reasons for the decision
The Review Board based its
decision to classify the film Collateral ‘MA15+’ with the
consumer advice ‘Strong violence’ on the
content of the film as set out in 5 and the findings
on material questions of fact at 6 above.
Mr Selwyn submitted that
because the film concerned contract killings and that the treatment
of each death scene was restrained that the impact of the theme of death
and killings was moderate. Whilst not
necessarily accepting Mr Selwyn’s reasoning, the Review
Board found that the treatment of the theme was moderate in the context
of the film.
It was Mr Selwyn’s
submission that the violence was restrained, and in context given
the film’s genre and the “strength of the
film”. He also stated that the film had “literary
merit” and that the intended audience of the film was for an older
audience and that the restrictive
classification sent “the wrong message”. He submitted further
that, while he considered the film to be
unsuitable for those under 15, the classification
needed to be merely advisory only and not restrictive.
Mr Selwyn is a regular, but
not frequent, representative who appears before the Review
Board. His views and submissions are always considered with great
interest by Review Board members.
However, on this occasion the Review Board did not accept
his submission that any perceived literary or artistic merit in any way
mitigated the impact of the violence
contained within the film.
Mr Selwyn also submitted that
the character of the film was such that the impact of any
violence was diminished. Again the Review Board did not accept Mr Selwyn’s
submission on this aspect of the film.
The Review Board therefore
found that the treatment of the strong violence was justified
by context. Further, the Review Board found that the impact of the
material was strong, but not so high
as to warrant a more restrictive rating than the already legally
restrictive ‘MA15+’ classification. However, the Review Board found
that to allow unrestricted viewing to
persons under 15 years would fail to protect minors who would
likely to be harmed or disturbed by the film.
8 Summary
While the classifiable
elements and the impact in the overall context of the film Collateral
did not justify a ‘R18+’
classification, they did make the film unsuitable for
persons under 15 years of age and warranted specific consumer advice
relating to the strong violence
contained in the film.
******
Also released is the Review Board report for THE
PACIFIER. Here it was agreed that advertising for the film could
screen with those of any classification.
27 October 2004
23-33 MARY STREET
SURRY HILLS, NSW
MEMBERS:
Ms Maureen Shelley (Convenor)
Ms Kathryn Smith
Ms Jan Taylor
APPLICANT:
Buena Vista International (Australia) Pty Ltd (BVI)
BUSINESS: To
review the Classification Board’s decision to grant a Certification
of Exemption for a Film for Advertising Purposes for
the film The Pacifier, with M conditions.
DECISION AND REASONS FOR
DECISION
1. Decision
The Classification Review
Board (the Review Board) granted a Certificate of Exemption
for a Film for Advertising purposes for The Pacifier (the film.)
2. Legislative provisions
The Classification
(Publications, Film and Computer Games) Act 1995 (the Act) governs
the classification of films and the review of classification decisions.
Section 9 of the Act provides that
films are to be classified in accordance with the National Classification
Code (the Code) and the classification guidelines. Part
3, Division 2 of the Act provides that a certificate of exemption may be
granted in relation to an unclassified
film for public exhibition that complies with the Classification
(Eligible Films) Determination 2002
(Determination), for advertising purposes.
The Determination sets out
the conditions for advertising material once an eligible film
has been approved for exemption from classification for advertising
purposes.
3. Procedure
Having earlier received a
valid written application for review, three members of the Review
Board viewed the advertisement for the film at the Review Board’s
meeting on 27 October 2004.
The Review Board then met in
camera to consider the matter.
4. Evidence and other
material taken into account
In reaching its decision the
Review Board had regard to the following:
(i) BVI’s application for
review;
(ii) BVI’s written
submission;
(iii) the advertisement for
the film (the advertisement);
(iv) the relevant provisions
in the Act;
(v) the relevant provisions
in the Code, as amended in accordance with s.6 of the
Act; and
(vi) the Guidelines for
the Classification of Films and Computer Games 2003;
(vii) the Classification
Board’s report on the matter;
(viii) the relevant
provisions in the Determination.
5 Synopsis
The advertisement depicts a
Navy SEAL who is assigned to protect five children as a matter
of ‘national security’.
6 Findings on material
questions of fact
The Review Board found that
the advertisement contained humorous depictions of a trained
Navy SEAL attempting to discipline and control five children of varying
ages and gender, in the course of his
duties. One such depiction was of the Navy SEAL placing
diapers and juice boxes in his weapons belt.
7 Reasons for the decision
The Review Board based the
decision to grant a Certificate of Exemption for a Film for
Advertising purposes for the film on the content of the advertisement as
set out in five and six above.
8 Summary
From the content of the
advertisement, the Review Board determined that the film’s classification
is likely to be PG, therefore, the Review Board granted a Certificate of
Exemption for a Film for Advertising purposes for the film. Accordingly,
the film can be advertised with films
of any classification for public exhibition, until such time that
the film is classified.
******
The latest Standing Committee of Attorneys General (Censorship)
report is out now. Probably the biggest news is there has been some movement on
altering the Film Festival Exemption guidelines. Hopefully this will
prevent a repeat of the KEN PARK saga.
Film
Festival Exemption Guidelines.
Ministers approved the amended Film Festival Guidelines and agreed to
the public release of the amended Film Festival Guidelines;
Film
Festival Guidelines
Exemption for RC films. Ministers agreed that jurisdictions interested
in developing guidelines to exempt film festivals from the
classification scheme would develop options for consideration;
ANNUAL
REPORT STANDING COMMITTEE OF ATTORNEYS-GENERAL CENSORSHIP 2003 –
2004
Introduction
This report contains significant decisions
made by the Standing Committee of Attorneys-General (SCAG) Censorship
during the 2003-2004 reporting period. It is presented in accordance
with the reporting requirements under the Procedures for SCAG which
reflect the Broad Protocols for the Operation of Ministerial Councils.
Under the Broad Protocols, all meetings of SCAG are confidential unless
otherwise agreed by Ministers. Commonwealth, State and Territory
Ministers with censorship responsibilities have approved this report for
public release.
National Classification Scheme
The national classification scheme is a
cooperative arrangement between the Commonwealth, States and
Territories. The scheme assists Australians to make informed choices by
classifying some entertainment products. The scheme was established by
the Classification (Publications, Films and Computer Games) Act 1995.
This Act provides that the Classification Board classifies films
(including videos and DVDs), computer games and certain publications.
The States and Territories enforce classification decisions under their
respective classification enforcement legislation.
SCAG-Censorship
The censorship component of SCAG oversees
the national classification scheme.
Under paragraph 7 of the Intergovernmental
Agreement on Censorship (1995), subject to the agreement:
(a) any decision to be made by the
Ministers in relation to the scheme; or
(b) the consideration by the Ministers of
other matters related to the administration of the scheme
is to be effected through SCAG in
accordance with its procedures.
The Classification (Publications, Films
and Computer Games) Act 1995 of the Commonwealth confers on
participating Ministers a collective responsibility to agree to
amendments to the national classification code (section 6) and determine
guidelines (or amendments to such guidelines) to assist in the
application of the criteria in the National Classification Code (section
12). Ministers deal with these matters at SCAG meetings.
Under section 90 of the Classification
(Publications, Films and Computer Games) Act 1995, Ministers may enter
into an agreement regarding payments in respect of the administration by
the State or Territory of the national classification scheme. This is
met through the Intergovernmental Agreement on Censorship.
The Act requires consultation with
participating Ministers about principles for serial publications
(section 13(4)); principles for fee waiver (section 91(1A)); and
appointments to the Classification Board (section 48(3)) and
Classification Review Board (section 74(3)). This consultation generally
occurs outside SCAG meetings.
The censorship component of SCAG does not
exercise any statutory decision making functions under the Trans-Tasman
Mutual Recognition Arrangement as the products classified under the
Classification (Publications, Films and Computer Games) Act 1995 are
exempt from the arrangement under the Trans-Tasman Mutual Recognition
Act 1997.
Members 2003 – 2004
SCAG-Censorship meetings involve
Commonwealth, State and Territory Ministers with censorship
responsibilities.
At the end of 2003 – 2004, the Ministers
responsible for censorship were all Attorneys-General, with the
exception of the Queensland Minister (Minister for Tourism, Racing and
Fair Trading) and the Western Australian member (Minister for Police,
Emergency Services and Justice).
The Hon Philip Ruddock MP – from 7
October 2003 (Commonwealth)
The Hon Jon Stanhope (ACT)
The Hon Bob Debus (NSW)
The Hon Dr Peter Toyne (NT)
The Hon Margaret Keech (Qld) from 12
February 2004
The Hon Michael Atkinson – from 29
August 2003 (SA)
The Hon Judy Jackson (Tas) T
he Hon Rob Hulls (Vic)
The Hon Michelle Roberts (WA)
The Hon Margaret Wilson (NZ)
The Hon Daryl Williams AM QC was
Australian Attorney-General until 6 October 2003.
The Hon Merri Rose (QLD) was Minister
until 14 January 2004.
The Hon Peter Beattie (QLD) was Minister
from 15 January 2004 until 11 February 2004.
The Hon Paul Holloway (SA) was Minister
until 29 August 2003.
Meetings
SCAG-Censorship met once during the
reporting period to discuss censorship matters. This meeting took place
on 13 November 2003 in Hobart.
Censorship Officials met on 16 October
2003 to develop issues for the consideration of Ministers prior to the
meeting. Officials also met on 12 February 2004 and on 26 June 2003, to
consider among other issues, common enforcement issues and opportunities
to harmonise enforcement legislation.
Decisions
The significant decisions of Censorship
Ministers included:
• Film Festival Exemption Guidelines.
Ministers approved the amended Film Festival Guidelines and agreed to
the public release of the amended Film Festival Guidelines;
• Film Festival Guidelines – Exemption
for RC films. Ministers agreed that jurisdictions interested in
developing guidelines to exempt film festivals from the classification
scheme would develop options for consideration;
• Community Assessment Panels. Ministers
agreed to the next three CAPS would take place in Melbourne, Canberra
and Alice Springs and agreed to the proposed funding arrangements for
CAPS; The CAPS scheme is designed to explore the extent to which the
Classification Board is making decisions regarding films and computer
games in accordance with community standards. This year, for the first
time, the panels assessed computer games as well as films.
• National Classification Code.
Ministers agreed that revised code would come into force at same time as
the Classification (Publications, Films and Computer Games) Amendment
Act 2004;
• SCAG – Censorship Annual Report.
Ministers agreed to the public release of the SCAG – Censorship Annual
Report for 2002-03.
• Also, in March 2004 Censorship
Ministers agreed to minor refinements to the amendments to the names of
the classification types agreed at the April 2003 meeting. Ministers
agreed that the MA classification type for films and the MA (15+)
classification for computer games would be renamed MA 15+.
• Also, in May 2004, the NSW Censorship
Minister advised Ministers of a direction he had issued to the Director
of the Classification Board pursuant to section 51(2) of the
Classification (Publications, Films and Computer Games) Enforcement Act
1995 (NSW). That direction pertained to Sydney Film Festival exemption
applications.
Communiqués
Two communiqués were released by
SCAG-Censorship during the reporting period. The communiqués
were:
• Community assessment panels to test
film classification (13 November 2003);
• Film and Computer Games symbols to
change from MA 15+ to A 15+ Accompanied. (13 November 2003) S
ubsequently amendment was made to some
aspects of the proposed legislation. The following news release from the
Australian Attorney-General is relevant.
• Simpler classification system passed
by Parliament (13 May 2004)
Copies of the communiqués and news
release are provided as an appendix to this report.
COAG
Under the Broad Protocols for the
Operation of Ministerial Councils, Ministerial Councils should make
available a summary of Council outcomes to Head of Government though the
Chair of COAG after each Council meeting, if requested.
There were no requests received from COAG
during the reporting period.
Secretariat
The Office of Film and Literature
Classification provides secretariat and policy support for
SCAG-Censorship meetings. During the reporting period, Ms Patricia
Flanagan, Senior Executive, Strategy and Communication, performed
secretariat functions for SCAG-Censorship. The secretariat can be
contacted at: Locked Bag 3 HAYMARKET NSW 1240 Telephone: (02) 9289 7100
Facsimile: (02) 9289 7101 Email: oflcswitch@oflc.gov.au