Directed by Herschell Gordon Lewis

The movies of Herschell Gordon Lewis that have been cut or banned in Australia.

Color Me Blood Red

Directed by Herschell Gordon Lewis / 1965 / USA / IMDb

In May 1985, Palace Video had a 79-minute tape of COLOR ME BLOOD RED banned because of excessive violence.

The proposed release was promoted as coming soon in Palace Explosive’s ‘Catalogue of Horror’.

Color Me Blood Red (1965) - Advertisement 1
Ad – Palace Explosive

Also abandoned was SWEET AND SAVAGE (1983) which would eventually appear in a censored form on the Premiere Home Video label.

Color Me Blood Red (1965) - Advertisement 2
Ad – Palace Explosive

At the same time, the Film Censorship Board passed Herschell Gordon Lewis’s BLOOD FEAST (1963) and 2000 MANIACS (1964) with R-ratings. Both were released on the Palace Explosive Video label. It is a mystery why these escaped, yet COLOR ME BLOOD RED was refused.

Two months previous

In March 1985, the TERROR ON TAPE (1983) compilation video was banned by the Censorship Board because of ‘excessive violence’. It featured clips from various horror movies, including two scenes from COLOR ME BLOOD RED. They were of the woman who is killed by a knife to the head and the dead woman tied up with her guts hanging out.

See the separate entry for this title in Film Censorship Database No. 1.

Passed after 20-years

In February 2005, an uncut DVD of COLOR ME BLOOD RED was classified R (Medium level violence). The applicant, Siren Visual Entertainment, released it as part of their Something Weird range.

Color Me Blood Red (1965) - DVD cover 1
DVD – Siren

It was later included as part of a box set alongside BLOOD FEAST (1963) and 2000 MANIACS (1964). This was the blood trilogy that Palace Explosive had hoped to release in 1985.

Color Me Blood Red (1965) - DVD cover 2
DVD – Siren

At the same time, Siren was forced to abandon Herschell Gordon Lewis’s THE GORE GORE GIRLS (1972) after it was refused by the OFLC.

The Gore Gore Girls

Directed by Herschell Gordon Lewis / 1972 / USA / IMDb

THE GORE GORE GIRLS was never picked up for Australian theatrical or video release.

There is a report from the mid-1990s of the Customs Service removing it from a package containing horror videos. The tape was forwarded to the OFLC, where it was refused a rating.

Too violent for 2005

In February 2005, a DVD of THE GORE GORE GIRLS was banned by the Classification Board.

Siren Visual Entertainment had planned to release it as part of their Something Weird range. This included several other Herschell Gordon Lewis titles, including the previously banned COLOR ME BLOOD RED (1965).

RC-rating challenged

April 11, 2005
The Classification Review Board has received an application to review the classification for the film, THE GORE GORE GIRLS, directed by Herschell Gordon Lewis.

THE GORE GORE GIRLS was refused classification by the Classification Board on 23 February 2005.

The Classification Review Board will meet on Monday 18 April 2005 to consider the application.

The Classification Review Board’s decision and reasons for its decision will appear on the OFLC website once the review has been finalised.

The Classification Review Board is an independent merits review body. Meeting in camera, it makes a fresh classification decision upon receipt of an application for review. The Classification Review Board decision takes the place of the original decision made by the Classification Board.

– Review announced for the film The Gore Gore Girls
– Classification Review Board

RC confirmed

April 20, 2005
A 3-member panel of the Classification Review Board met on April 6, 18 and 20, 2005 and determined, in a 2 to 1 majority decision, that the 1972 film, THE GORE GORE GIRLS, directed by Herschell Gordon Lewis, should be refused classification.

A film that is refused classification (RC) is immediately banned throughout Australia. It cannot be exhibited, sold, hired or imported into the country. A film is refused classification if it exceeds the guidelines for the R18+ or X18+ classifications.

The Classification Review Board convened in response to an application by the film’s home entertainment distributor, Siren Visual Entertainment, to review the Refused Classification decision for THE GORE GORE GIRLS, made by the Classification Board on 23 February 2005.

The Classification Review Board received written and heard oral submissions from Mr Nigel Rennard, Managing Director, Siren Visual Entertainment.

Convenor Maureen Shelley said that “the cumulative impact of the violence, including some sexualised violence, was very high, such that under the guidelines the film must be refused classification”. Under the guidelines, films will be refused classification if they contain “gratuitous, exploitative or offensive depictions of violence with a very high degree of impact or which are excessively frequent, prolonged or detailed”.

In the Review Board’s majority determination, THE GORE GORE GIRLS warrants refused classification status because it exceeds the R18+ classification in a number of depictions. These include those of five female exotic dancers who are all murdered while semi-naked. The killings show prolonged and detailed scenes of gore, including removing a face from a skull, removing eyes from their sockets, cutting off the nipples of one victim, and the face of another victim being boiled off with the parts shown floating in a pot of oil.

The minority view was that the film should be classified R18+ as the impact was no more than high, due to the unrealistic, “schlock-horror” nature of the special effects.

In reviewing the classification, the Classification Review Board worked within the framework of the National Classification Scheme, applying the provisions of the Classification (Publications, Films and Computer Films) Act 1995, the National Classification Code and the Guidelines for the Classification of Films and Computer Films.

The Classification Review Board is an independent merits review body. It meets in camera to make a fresh classification decision when applications to review classification matters previously determined by the Classification Board are made.

– The Gore Gore Girls refused classification upon review
– Classification Review Board

RC for sexualised violence & violence

April 6, 8, & 20, 2005
23-33 Mary Street, Surry Hills, NSW

Ms Maureen Shelley (Convenor)
The Hon Trevor Griffin (Deputy Convenor)
Mr Rob Shilkin

Siren Visual Entertainment Pty Ltd (Siren), original applicant for classification, represented by Mr Nigel Rennard (managing Director, Siren).


To consider whether the Review Board should exercise its discretion to accept the application for review of a decision outside the prescribed period.

To review the Classification Board’s decision to classify the film THE GORE GORE GIRLS (the film) RC (refused classification).


1. Decision

The Classification Review Board (the Review Board) classified the film RC (refused classification) in a two/one majority decision.

2. Legislative provisions

The Classification (Publications, Film and Computer Games) Act 1995 (the Act) governs the classification of films and the review of classification decisions. Section 9 of the Act provides that films are to be classified in accordance with the National Classification Code (the Code) and the classification guidelines. Relevantly, the Code in paragraph 1 of the Table under the heading ‘Films’ provides that films that:

(a) depict, express or otherwise deal with matters of sex, drug misuse or addiction, crime, cruelty, violence or revolting or abhorrent phenomena in such a way that they offend against the standards of morality, decency and propriety generally accepted by reasonable adults to the extent that they should not be classified …

…are to be classified ‘RC’. The Code also states various principles for classifications, and that effect should be given, as far as possible, to these principles. Section 11 of the Classification Act requires that the matters to be taken into account in making a decision on the classification of a film include:

(a) the standards of morality, decency and propriety generally accepted by reasonable adults; and

(b) the literary, artistic or educational merit (if any) of the film; and

(c) the general character of the film, including whether it is of a medical, legal or scientific character; and

(d) the persons or class of persons to or amongst whom it is published or is intended or likely to be published.

Three essential principles underlie the use of the 2003 Guidelines for the Classification of Films and Computer Games (the Guidelines), determined under s.12 of the Act:

The importance of context

The assessment of impact;

And the six classifiable elements – themes, violence, sex, language, drug use and nudity.

3. Procedure

a) Siren application made out of time

The Review Board met by teleconference on 6 April 2005 to determine as a preliminary matter whether to exercise its discretion to hear the matter under section 43(3) (b) of the Act as the application was made out of time.

The classification certificate for the film was issued on 23 February 2005. On 7 March 2005, the applicant wrote a letter to the Director of the Classification Board about the decision. The letter was received by the OFLC on 10 March 2005. A response was sent from the OFLC on 30 March 2005. On the same day (30 March), Siren contacted the OFLC by e-mail about a review. Siren submitted a written application on 6 April 2005.

The Review Board found that there was a genuinely held but mistaken belief by the Applicant that a review could be undertaken through representations to the Director of the Office of Film and Literature Classification. The evidence suggests that the Applicant was actively pursuing his review rights but had not followed the correct technical procedure. Given the continuous efforts of the Applicant to seek a review of the classification, the Review Board unanimously determined that it would exercise its discretion to allow the application to be considered out of time. The Review Board then adjourned.

b) Consideration of application

The Review Board reconvened on 18 April 2005 to view the film and consider the application, having previously determined that it was in receipt of a valid application.

A determination on classification was unable to be reached at this time and the meeting was adjourned. The Review Board reconvened on 20 April 2005 by teleconference and made its decision.

4. Evidence and other material taken into account

In reaching its decision the Review Board had regard to the following:

(i) Siren’s application for review;

(ii) Siren’s written and oral submissions;

(iii) The film (including original, director’s commentary and other extras);

(iv) The relevant provisions in the Act;

(v) The relevant provisions in the Code, as amended in accordance with s.6 of the Act

(vi) The Classification Board’s report; and

(vii) The Guidelines for the Classification of Films and Computer Games 2003.

5. Synopsis

The film is in the 1970s “schlock horror” genre. The basic story line is that someone is murdering and mutilating women who work as exotic dancers in a nightclub. A private investigator, Abraham Gentry, is hired by a newspaper through the intervention of reporter Nancy Weston to solve the crimes. Together the private investigator and the reporter work to find and expose the killer.

The killer turns out to be a woman who was a body builder who turned to exotic dancing. Through an accident her face and breasts are damaged. She is hired as a waitress in a nightclub. She then becomes a killer, attacking the women who are hired as exotic dancers in the club. She mutilates their faces and breasts in the attacks.

6. Findings on material questions of fact

The Review Board found that the film contains aspects or scenes of importance, under various classifiable elements:

(a) Themes – the film does not appear to seriously deal with any themes. By its nature the issue of serial killing and mutilation of women is raised but is not dealt with in any depth by the film. The director describes the film as an “exploitation” movie.

(b) Sex – there is only one scene of explicit sexual reference in the film. At approximately 16 minutes a woman is shown stimulating and caressing her breasts, whilst wearing underpants, in front of a mirror. She is murdered and mutilated shortly afterwards. At the conclusion to the film, Abraham and Nancy embrace on a couch but a blind is drawn with Abraham addressing the camera saying “You’ve seen enough”.

(c) Drug use – There was limited drug use within the film. At approximately 1 minute a person says “I have a drug here, LSD perhaps you have heard of it”. At approximately 16 minutes a man is depicted smoking what appears to be a marijuana cigarette. He appears to be affected by the cigarette.

(d) Language –there is only mild coarse language in the film. “I may be a bitch but I’ll never be a butch”.

(e) Nudity – There is no complete nudity in the film. There are several scenes of partial nudity including several of the women exotic dancers stripping to nipple tassels and g-strings. In one scene, a murder victim is shown caressing her bare breasts before a mirror. She is wearing underpants. Shortly afterwards she is murdered.

At approximately 74 minutes Nancy is shown wearing her pantyhose under a mini-dress. She is prone on a couch and it can be seen that she isn’t wearing underpants. Her pubic hair is visible through the pantyhose.

(f) Violence – the film contains several prolonged, detailed and gory scenes of violence. This violence is sexualised in that all the killings are of women exotic dancers. Some of the women perform a “strip tease” shortly before they are murdered and most are partially naked when they are murdered. The murder and mutilation of the women concentrates on their faces and breasts.

Prior to the credits rolling, at approximately 2 minutes a woman is shown sitting looking at herself in the mirror. The killer comes up behind her and pushes her face into the mirror. In a scene that takes approximately 1 minute the bloodied face is shown in detail. The face appears pale and pasty in colour, the blood is extensive.

At 16 minutes a woman is standing in front of a mirror stimulating her breasts. A shadow is shown. The shadow arm hits her on the head and then the arm slashes at her throat. For approximately 1 minute hands are shown removing the bloodied facial tissue from the skull of the woman. There is significant detail, there is blood, bone, flesh and gore. The head is a pulpy mass. The scene is in mid shot and is prolonged and detailed. The length of time that the gory head is shown is gratuitous.

It is the majority view that the scene is very high in impact. The minority view was that the scene was gory yet unrealistic, with no part of the woman’s face identifiable.

At approximately 42 minutes a woman wearing a bra and underpants under an open shirt screams as her throat is cut. Blood is shown coming from the cut, she has blood on her face and hands. The killer rolls her over and removes her underpants with a carving fork. The woman’s buttocks are then repeatedly attacked with a meat mallet until they are a bloodied mass. Fast military-style music starts to play. The killer puts what appears to be salt and what the director describes as “seasoning” onto the pulped flesh. The buttocks are pulpy and the blood flows freely. The blood drips down the woman’s arm and onto the floor. As the killer manipulates the pulpy flesh there are sucking noises. The killer removes the woman’s eyes from the sockets with a knife and fork. The bloodied head then has the brain removed and other organs are placed beside the head. More blood drips are seen.

The length of the scene and the details are gratuitous. It was the majority view that the scene is very high in impact. The view of the minority was that the scene was no more than high in impact because it was unrealistic looking and silly.

At 46 minutes Abraham is shown putting his finger onto the bloodied meat mallet held by a police detective. He licks his finger.

At approximately 50 minutes the killer slashes another woman’s throat. The killer puts an iron on the woman’s face and removes her shirt. The killer burns both sides of the woman’s face with the iron and the iron is depicted being put into the eye socket of the victim. In a scene that the director later describes in an interview as “the most outrageous” that he has filmed, the killer then cuts the left nipple of the woman off and a fluid comes from the nipple. The killer then cuts the right nipple off and a different coloured fluid comes from the nipple. The killer collects the fluids in two glasses. The director says in his commentary that the left nipple contains milk and the right nipple contains chocolate milk.

At approximately 52 minutes the killer attacks another woman and puts her face into a pot of boiling oil that is heating on the stove. The face is shown whilst still in the pot of oil. The eyeball is shown as being cooked and parts of the face float off and mix with the chips in the pot.

At approximately 76 minutes the killer is exposed as the sharp spoken waitress from the strip club. As Abraham pursues her she falls from a second storey window whereby she is decapitated. Her head is shown being run over by a car. The face is visible and is shown between the car tyre and the road.

7. Reasons for the decision

The Review Board based its decision to refuse classification ‘RC’ the film THE GORE GORE GIRLS based on the content of the film as set out above.

THE GORE GORE GIRLS is a film in the “schlock horror” genre. Many of the depictions are almost slapstick in nature and the effects used are generally crude. However, the majority of the Review Board determined that the detailed, prolonged and graphic depiction of the killings and dismemberment of the five partially-naked women in the sexualised context of their work (and in juxtaposition of their strip routines at the club) is undertaken in such a way that the film is offensive to reasonable adults.

Whilst the scenes are not glamorised and it is clearly the film-maker’s intent that these murders are in the “schlock horror” or “B grade movie” mode, the material presented is beyond what can be classified under the Australian system.

The Review Board carefully considered any artistic nature that the film may have had particularly given the submissions of the editorial staff of FIEND magazine (and the educational qualifications of those staff), its general character as a “schlock horror” film and that any likely audience would be educated and dedicated “schlock horror” fans. However, the majority of the Review Board found that these matters did not outweigh the community’s concern over the depiction of violence particularly sexualised violence contained within the film.

The minority formed the view that the crude, unrealistic, “schlock horror” nature of the effects and production values, together with the non-menacing, over-the-top storyline and slapstick elements, meant that the impact of the gory violence was markedly less than in other more serious and realistically filmed violent movies. The minority did not consider the violence to be sexual or sexualised in nature, there was no attempt by the killer to engage in any form of sexual activity with any of the victims and there was no attempt to glamorise or eroticise the violence. The minority formed the view that although the film was “gross” and there was occasional breast nudity, the impact of the film did not exceed high and was best accommodated in an R classification.

8. Summary

In a two/one majority the Review Board determined that the classifiable elements and the impact in the overall context of the film THE GORE GORE GIRLS warrant a refused classification (RC). They depict, express and deal with matters of sexualised violence and violence in such a way that they offend against the standards of decency and propriety generally accepted by reasonable adults to the extent that the film should not be classified.

– Classification Review Board report

Siren & H.G. Lewis respond

April 2005
THE GORE GORE GIRLS is a thirty-year-old film that has been exhibited worldwide.

in a glass cage has been treasured by cult and horror fans over the years as one of cinema’s most beautiful atrocities committed to celluloid.

Clearly, the OFLC does not agree, as we just got the phone call informing us that these two great films were rejected, and refused rating.

The OFLC, at times, seem to be very serious and narrow-minded since they are banning these two great films.

But here’s what Herschell Gordon Lewis had to say about the banning of his film…

“To ban a thirty-year-old film that has been exhibited worldwide, and has been available in cassette and DVD form for some years, is on its face ludicrous.

THE GORE GORE GIRLS was intended as a parody, and from its first release audiences have accepted it as such. The film has been exhibited at horror and science fiction film festivals in many countries, without incident.

Singular selection of any target while ignoring many others is a dangerous step some might regard as fascistic, an attempt to draw favorable attention to the censors rather than to draw negative attention to whatever is being censored. Were this “ban” to be applied universally, any film directed by Quentin Tarantino and many by John Carpenter and Wes Craven (every one of which post-dated this movie) would be snared in the same net … plus the Australian-produced MAD MAX classics, which in no way shared the sense of humor that saturates this film.

I add my voice to those who see no sense nor benefit from this attack.”

Well said Herschell…We agree.

– In A Glass Cage & The Gore Gore Girls, refused rating by OFLC!
– Siren Visual Entertainment

Complaints to the OFLC

October 17, 2005
Two complaints were received about the RC decision for the film THE GORE GORE GIRLS and one complaint was received about the RC decision for the film TRAS EL CRISTAL (IN A GLASS CAGE). These complaints addressed the decisions of both the Classification Board and the Classification Review Board.

– Classification Review Board, Annual Report 2004-2005


The refusal was totally out of step with other decisions of the time. Less than a month later, BLOODSUCKING FREAKS (1976) was again R-rated. This is a film that the Australian censor has been untroubled by since it was first passed in 1984.

Even the British Board of Film Classification (BBFC) had passed THE GORE GORE GIRLS uncut in 2002. Compare how they treated the following titles that were all cleared uncut by the OFLC.

THE NEW YORK RIPPER (1982) – Cut by 00:22 in January 2002.

MANIAC (1980) – Cut by 00:58 in May 2002.

LAST HOUSE ON THE LEFT (1972) – Cut by 00:31 in July 2002.

ICHI THE KILLER (2001) – Cut by 03:15 in November 2002. This even contains some nipple-slicing violence that is far more brutal than the comparable scene in THE GORE GORE GIRLS.